Lesson 30: Page 04
For the outdoor clothing catalog, the assignment was a western theme where we stayed at a guest ranch and the shoots included horseback riding and shots like this around old…
Lesson 30: Page 05
As the sun came close to setting we staged this BBQ set up and here again a diffusion panel bounces the right amount of light into their front side…
Lesson 30: Page 06
Sunny Natural Light Since you cannot control the weather nor can anyone predict it very accurately, you have to be technically adept at dealing with whatever you are presented with….
Lesson 30: Page 07
The Reflector The reflector is one of the most useful tools in shooting fashion and apparel outdoors. You can use anything reflective that will bounce light into the subject and…
Lesson 30: Page 08
Here is another image of one model in full sun right before it sets. Actually, the client spotted our model, bored and waiting to be called to shoot, sitting here…
Lesson 30: Page 09
In image below, the reflector is on the right and bouncing light into the shadow side of his face and the edges of the apparel. I purposely position him to…
Lesson 30: Page 10
Bring on the strobes! Now I introduce the strobe. In this image below the porch was shaded. This is nice because you can create your own highlights, shadows, and contrast…
Lesson 30: Page 11
Indoor Strobe Lighting For this next image we went in doors. On a catalog shoot, unless there are mitigating circumstances, you can expect to work long days and that includes…
Lesson 30: Page 12
Lighting Techniques Many lighting techniques are used in fashion and beauty lighting. Most ads for cosmetics and beauty supplies use a flat low contrast light quality showing perfect skin on…
Lesson 30: Page 13
Over and Under Over and under is the same approach as shown in lesson 14, Advanced Portraits, where the set up is with two lights, one above the camera and…
Lesson 30: Page 14
Another popular setup is two small strip-lights, one on each side of the camera. You can tell this setup has been used when you see two narrow catch lights in…
Lesson 30: Page 15
Start by duplicating the background twice. These layers look like they do because I grouped them and I will discuss this shortly. Then turn off Background copy 2 so you…
Lesson 30: Page 17
Next, click on the ADD LAYER MASK icon at the bottom of the layers palette, then choose the Brush tool and set the opacity to 50%. Choose black as your…
Lesson 30: Page 18
As I look at the raw image on the left, I decided I wanted rosier cheeks or in other words, use PS to add some blush to her cheeks.
Lesson 30: Page 19
Next, change the blend mode on this layer to Soft light and then black changes to the color of the layer below.
Lesson 30: Page 21
The bottle was very reflective so I had to create multiple images by moving cards and lights around the bottle.
Lesson 30: Page 23
The bottle is then dropped into position. The bottle layer is then duplicated by dragging it down to the add layer icon.
Lesson 30: Page 04
For the outdoor clothing catalog, the assignment was a western theme where we stayed at a guest ranch and the shoots included horseback riding and shots like this around old…
Lesson 30: Page 05
As the sun came close to setting we staged this BBQ set up and here again a diffusion panel bounces the right amount of light into their front side…
Lesson 30: Page 06
Sunny Natural Light Since you cannot control the weather nor can anyone predict it very accurately, you have to be technically adept at dealing with whatever you are presented with….
Lesson 30: Page 07
The Reflector The reflector is one of the most useful tools in shooting fashion and apparel outdoors. You can use anything reflective that will bounce light into the subject and…
Lesson 30: Page 08
Here is another image of one model in full sun right before it sets. Actually, the client spotted our model, bored and waiting to be called to shoot, sitting here…
Lesson 30: Page 09
In image below, the reflector is on the right and bouncing light into the shadow side of his face and the edges of the apparel. I purposely position him to…
Lesson 30: Page 10
Bring on the strobes! Now I introduce the strobe. In this image below the porch was shaded. This is nice because you can create your own highlights, shadows, and contrast…
Lesson 30: Page 11
Indoor Strobe Lighting For this next image we went in doors. On a catalog shoot, unless there are mitigating circumstances, you can expect to work long days and that includes…
Lesson 30: Page 12
Lighting Techniques Many lighting techniques are used in fashion and beauty lighting. Most ads for cosmetics and beauty supplies use a flat low contrast light quality showing perfect skin on…
Lesson 30: Page 13
Over and Under Over and under is the same approach as shown in lesson 14, Advanced Portraits, where the set up is with two lights, one above the camera and…
Lesson 30: Page 14
Another popular setup is two small strip-lights, one on each side of the camera. You can tell this setup has been used when you see two narrow catch lights in…
Lesson 30: Page 15
Start by duplicating the background twice. These layers look like they do because I grouped them and I will discuss this shortly. Then turn off Background copy 2 so you…
Lesson 30: Page 17
Next, click on the ADD LAYER MASK icon at the bottom of the layers palette, then choose the Brush tool and set the opacity to 50%. Choose black as your…
Lesson 30: Page 18
As I look at the raw image on the left, I decided I wanted rosier cheeks or in other words, use PS to add some blush to her cheeks.
Lesson 30: Page 19
Next, change the blend mode on this layer to Soft light and then black changes to the color of the layer below.
Lesson 30: Page 21
The bottle was very reflective so I had to create multiple images by moving cards and lights around the bottle.
Lesson 30: Page 23
The bottle is then dropped into position. The bottle layer is then duplicated by dragging it down to the add layer icon.