Lesson 33: Page 02
As you organize your business one of the most important aspects is how to manage your stock photo image archive. It is important that images are easily accessed and delivered…
Lesson 33: Page 03
WHERE TO START Stock photography is an exciting business when you can make money off your passion. I hope that the previous lessons have given you a good grasp on…
Lesson 33: Page 04
SOME ADDITIONAL SHOOTING STRATEGIES Be sure and watch for the logos and trademarks on products, buildings, wardrobe, and so on. If you are going to Disneyland you won’t be able…
Lesson 33: Page 05
Is Your Work Suitable for Rights Managed, Royalty Free, or Microstock Licensing Should your photography be placed as Royalty Free, Rights Managed, or Microstock when submitted to an agency? This…
Lesson 33: Page 06
The problems associated with deciding between RF and RM don’t come solely from the photographers. If you submitted your work to several agents you may find one that thinks image…
Lesson 33: Page 07
Here are a few images and where in my opinion they might fit in the markets. Colorado in the fall is a pretty average image.
Lesson 33: Page 08
This image is 6 years old and outdated due to the jackets they are wearing so over to RF, but not sure it would even sell at all now.
Lesson 33: Page 09
Organizing Your Images In the ‘olden’ days we would organize our film files with labels and and then file them in slide pages. There were software programs that kept track…
Lesson 33: Page 10
To get represented by an agency you should build a large body of unique stock photos. Stock agents are not exclusively for established shooters and are always open to new…
Lesson 33: Page 11
In addition, they are so glutted with imagery that they no longer accept just anybody and here again the pros who have been in stock for decades are making their…
Lesson 33: Page 12
Submitting to Agencies First, where do you look for agents and which agents are you planning to approach? There are several places you can start looking. Do you subscribe to…
Lesson 33: Page 13
Contracts Before you join and agency be sure and read their photographers contract. This contract will tie you to this agency for a certain number of years. When I joined…
Lesson 33: Page 14
That led to an interesting change within the industry: assignment stock photographers. Agencies once pushed to own their imagery and this means that there will be less room for freelance…
Lesson 33: Page 15
Now that you have photographed lots of beautiful images and have accrued a nice collection of work, got them organized, who are you going to sell them to? To be…
Lesson 33: Page 16
When I am traveling out of state and stopping for groceries or other items, I always stop at book and magazine racks as well as the post card rack looking…
Lesson 33: Page 17
Here is an example: August 5th, 2012 Mr. John Doe Tropical Publishing 123 Some St. Nome, AK 12345 Dear Mr. Doe: I am a photographer based in Oregon and specialize…
Lesson 33: Page 18
WHAT EDITORS WANT Clients do need photography and ideally, you and me for their projects because most publishing projects use photos from freelance photographers. Some of these clients may see…
Lesson 33: Page 19
Here is an example of an email request I get monthly from an outdoor magazine. The name of the publication has been removed on purpose. XXXXXXX Magazine: APRIL 2009 Issue…
Lesson 33: Page 20
What you do not see in these requests, are well known sites such as Yosemite Valley, Mt. Rushmore, Grand Canyon Scenics, Arches N.P., and so on. This magazine has such…
Lesson 33: Page 02
As you organize your business one of the most important aspects is how to manage your stock photo image archive. It is important that images are easily accessed and delivered…
Lesson 33: Page 03
WHERE TO START Stock photography is an exciting business when you can make money off your passion. I hope that the previous lessons have given you a good grasp on…
Lesson 33: Page 04
SOME ADDITIONAL SHOOTING STRATEGIES Be sure and watch for the logos and trademarks on products, buildings, wardrobe, and so on. If you are going to Disneyland you won’t be able…
Lesson 33: Page 05
Is Your Work Suitable for Rights Managed, Royalty Free, or Microstock Licensing Should your photography be placed as Royalty Free, Rights Managed, or Microstock when submitted to an agency? This…
Lesson 33: Page 06
The problems associated with deciding between RF and RM don’t come solely from the photographers. If you submitted your work to several agents you may find one that thinks image…
Lesson 33: Page 07
Here are a few images and where in my opinion they might fit in the markets. Colorado in the fall is a pretty average image.
Lesson 33: Page 08
This image is 6 years old and outdated due to the jackets they are wearing so over to RF, but not sure it would even sell at all now.
Lesson 33: Page 09
Organizing Your Images In the ‘olden’ days we would organize our film files with labels and and then file them in slide pages. There were software programs that kept track…
Lesson 33: Page 10
To get represented by an agency you should build a large body of unique stock photos. Stock agents are not exclusively for established shooters and are always open to new…
Lesson 33: Page 11
In addition, they are so glutted with imagery that they no longer accept just anybody and here again the pros who have been in stock for decades are making their…
Lesson 33: Page 12
Submitting to Agencies First, where do you look for agents and which agents are you planning to approach? There are several places you can start looking. Do you subscribe to…
Lesson 33: Page 13
Contracts Before you join and agency be sure and read their photographers contract. This contract will tie you to this agency for a certain number of years. When I joined…
Lesson 33: Page 14
That led to an interesting change within the industry: assignment stock photographers. Agencies once pushed to own their imagery and this means that there will be less room for freelance…
Lesson 33: Page 15
Now that you have photographed lots of beautiful images and have accrued a nice collection of work, got them organized, who are you going to sell them to? To be…
Lesson 33: Page 16
When I am traveling out of state and stopping for groceries or other items, I always stop at book and magazine racks as well as the post card rack looking…
Lesson 33: Page 17
Here is an example: August 5th, 2012 Mr. John Doe Tropical Publishing 123 Some St. Nome, AK 12345 Dear Mr. Doe: I am a photographer based in Oregon and specialize…
Lesson 33: Page 18
WHAT EDITORS WANT Clients do need photography and ideally, you and me for their projects because most publishing projects use photos from freelance photographers. Some of these clients may see…
Lesson 33: Page 19
Here is an example of an email request I get monthly from an outdoor magazine. The name of the publication has been removed on purpose. XXXXXXX Magazine: APRIL 2009 Issue…
Lesson 33: Page 20
What you do not see in these requests, are well known sites such as Yosemite Valley, Mt. Rushmore, Grand Canyon Scenics, Arches N.P., and so on. This magazine has such…