November 29, 2013

Sample This Course and See What’s Inside

Aperture Controls Flash Exposure F/stop or aperture on the other hand DOES controls the amount (or rate) of light allowed to expose the picture. This means that by changing your f/stop, you control…

Read More
March 05, 2013

Lesson 2: Page 27

Self Assignment 1) Photograph someone who is backlit by the sun and you have filled them with flash so they won’t be silhouetted. 2) Create a nice still life setup such as…

Read More
March 01, 2013

Lesson 2: Page 26

Swivel heads Most of today’s flashes allow the head to be swiveled and this allows you to point the flash in a variety of directions. If the photo is a…

Read More
March 01, 2013

Lesson 2: Page 25

Many flashes have built in white cards next to the wide angle attachment. Most photographers assume this is a bounce panel but they are really more for creating catchlights in…

Read More
March 01, 2013

Lesson 2: Page 24

This magazine cover was photographed using a diffused flash right next to the camera on the right. The flash was a key light while the ambient was the fill light.

Read More
March 01, 2013

Lesson 2: Page 23

Summary Flash Key is when you want flash to be the main light. Flash fill is when you want flash to be the secondary light. To make Flash Key effective,…

Read More
March 01, 2013

Lesson 2: Page 22

Auto Fill Reduction Many flashes automatically apply Auto Fill Reduction when photographing in bright light. This basically means that the flash is doing the work for you by not over…

Read More
April 17, 2012

Lesson 4: Page 11

While I was out scouting locations for place to shoot with my students during a Utah workshop, I discovered this rock with holes in it. I thought if I wait…

Read More
April 17, 2012

Lesson 4: Page 10

More color tips There are some color techniques you cannot achieve with your AWB in camera and the photo right is the perfect example. When I shoot landscapes at sunset,…

Read More
April 17, 2012

Lesson 4: Page 09

More fun with colored gels Rosco also makes colored gels that are for coloring a light rather than correcting light as in the previous section. I use these all the…

Read More
April 17, 2012

Lesson 4: Page 08

Mixed Lighting Summary If you took the picture now in tungsten light everything would be off color. To correct the photo you now need to go to your camera and…

Read More
April 14, 2012

Lesson 4: Page 07

Here is an example showing Kelvin temperature color relationship: Amber    warmer     warm    Daylight     cool      cooler   blueish     blue 3200K     3800K     4500K   5500K       6200k     6800    7500K     8000K

Read More
April 14, 2012

Lesson 4: Page 06

Using Flash in Mixed Lighting So your boss knows you are a good photographer and wants pictures from in the warehouse of a group of employees. You know you need…

Read More
April 14, 2012

Lesson 4: Page 05

I have always enjoyed the idea of hide-a-flash in places that create light and result in a cool effect.

Read More
April 14, 2012

Lesson 4: Page 04

Stop Action The idea here as previously mentioned, is to stop or freeze the action WITH FLASH and not necessarily the shutter speed and there are two ways to do…

Read More
April 14, 2012

Lesson 4: Page 03

In this image of a mountain biker, I set the camera at -1 EC to darken the background and make the flash stand out better. Then I just panned with…

Read More
April 14, 2012

Lesson 4: Page 02

These two photos below are a perfect example of panning with the subject and flashing to put an edge on the subject. If you look at the blurry background and…

Read More
April 14, 2012

Lesson 4: Page 01

In previous lessons, we have explored the many ways to use flash both on-camera and off. For our last lesson, we’ll look at fun ways to continue to get creative…

Read More
April 13, 2012

Lesson 3: Page 15

REAL JOBS You will notice in my descriptions that none of these jobs were photographed using ETTL and were all on manual flash. I want total control! If you consider…

Read More
April 13, 2012

Lesson 3: Page 14

My strategy is to set the flash to manual output and set it to full power as a start. I take a test shot usually by just ‘guesstimating’, a skill…

Read More
April 13, 2012

Lesson 3: Page 13

BIGGER FLASH UNITS Depending on what you shoot, you may also find you need a much bigger and more powerful flash unit. I am not talking about studio strobes, rather…

Read More
April 13, 2012

Lesson 3: Page 12

USING REMOTE FLASH FOR EFFECT The next step beyond wireless flash is using wireless remotely by placing flash in more distant locations. This is putting light in out-of-the-way places to…

Read More
April 13, 2012

Lesson 3: Page 11

Rear Curtain – cont To enable rear curtain flash to work, you have to make adjustment either on the camera or flash and it depends on the make and model….

Read More
April 13, 2012

Lesson 3: Page 10

 Portraits using Flash There is no difference between shooting portraits with studio strobes versus flash units as far as the approach to lighting. The advantage to flash is the compact…

Read More
April 13, 2012

Lesson 3: Page 07

Radio Remotes Triggers There are numerous methods for triggering flash using wireless radio technology. There are a number of third party systems designed for wireless triggering and originally most were…

Read More
April 13, 2012

Lesson 3: Page 04

Dedicated Wireless Some of today’s state-of-the-art flash units come with wireless flash ability built in. Canon’s 430EXII and 580EXII are three of them while Nikon’s SB 900 and SB700 compliment their line. They have the ability to trigger…

Read More
April 11, 2012

Lesson 3: Page 03

Optical Slaves – cont. Most older, yet state of the art flash units do not come with a PC sync socket on them to plug that slave into with the…

Read More
April 11, 2012

Lesson 3: Page 02

When using the flash off-camera, you need to trigger the flash to fire from your camera. In the previous pictures, I am using a Dedicated Flash Cord that allows me…

Read More
April 10, 2012

Lesson 3: Page 01

Off Camera Flash So far we have covered many different ways you can use your flash on-camera such as bounce and diffused flash and hopefully you have mastered those. Now…

Read More
April 10, 2012

Lesson 2: Page 19

Flash Fill Flash fill is a very useful tool for photographers. Both film and digital cannot record the range of contrast in a photo scene like our eyes can. In…

Read More
April 10, 2012

Lesson 2: Page 18

How to use flash key If you are in Manual shooting mode and flash is set to ETTL, you meter the scene. Next, adjust your shutter speed to a setting…

Read More
April 10, 2012

Lesson 2: Page 16

Here is an example of flash key. The flash is the brightest light on the subject. They would silhouette without the flash.

Read More
April 10, 2012

Lesson 2: Page 15

When to use Manual Flash? The reason to set your flash on manual output is to maintain a consistent output each and every time the flash fires. You are at…

Read More
April 10, 2012

Lesson 2: Page 13

Keep in mind that 1/1 is full power; ½ is ½ power; ¼ is ¼ power, and so on. What is nice about the flash’s manual output ability is that…

Read More
April 10, 2012

Lesson 2: Page 12

While you are shooting in Manual, you have to do these calculations in your head or by testing to make sure your exposures are correct. Wedding photographers usually have their…

Read More
April 10, 2012

Lesson 2: Page 11

Flash on Manual Mode Up to now, we have covered all the options available for using flash in an automated capacity. There are however, many advantages to using flash in…

Read More
April 10, 2012

Lesson 2: Page 10

Another method is the red eye reduction features of your system.  The camera, as you are pressing the shutter release, fires a small flash-type light to get the pupils in…

Read More
April 10, 2012

Lesson 2: Page 09

Exercise: To test your flash and camera system, place the focus point on the subject and take a fully flash image. Take a second exposure by placing the AF point…

Read More
April 09, 2012

Lesson 1: Page 18

Using the flash, step by step Now that we have covered all the details of flash and how it works, here is the step by step approach for simple flash…

Read More
November 29, 2013

Sample This Course and See What’s Inside

Aperture Controls Flash Exposure F/stop or aperture on the other hand DOES controls the amount (or rate) of light allowed to expose the picture. This means that by changing your f/stop, you control…

Read More
March 05, 2013

Lesson 2: Page 27

Self Assignment 1) Photograph someone who is backlit by the sun and you have filled them with flash so they won’t be silhouetted. 2) Create a nice still life setup such as…

Read More
March 01, 2013

Lesson 2: Page 26

Swivel heads Most of today’s flashes allow the head to be swiveled and this allows you to point the flash in a variety of directions. If the photo is a…

Read More
March 01, 2013

Lesson 2: Page 25

Many flashes have built in white cards next to the wide angle attachment. Most photographers assume this is a bounce panel but they are really more for creating catchlights in…

Read More
March 01, 2013

Lesson 2: Page 24

This magazine cover was photographed using a diffused flash right next to the camera on the right. The flash was a key light while the ambient was the fill light.

Read More
March 01, 2013

Lesson 2: Page 23

Summary Flash Key is when you want flash to be the main light. Flash fill is when you want flash to be the secondary light. To make Flash Key effective,…

Read More
March 01, 2013

Lesson 2: Page 22

Auto Fill Reduction Many flashes automatically apply Auto Fill Reduction when photographing in bright light. This basically means that the flash is doing the work for you by not over…

Read More
April 17, 2012

Lesson 4: Page 11

While I was out scouting locations for place to shoot with my students during a Utah workshop, I discovered this rock with holes in it. I thought if I wait…

Read More
April 17, 2012

Lesson 4: Page 10

More color tips There are some color techniques you cannot achieve with your AWB in camera and the photo right is the perfect example. When I shoot landscapes at sunset,…

Read More
April 17, 2012

Lesson 4: Page 09

More fun with colored gels Rosco also makes colored gels that are for coloring a light rather than correcting light as in the previous section. I use these all the…

Read More
April 17, 2012

Lesson 4: Page 08

Mixed Lighting Summary If you took the picture now in tungsten light everything would be off color. To correct the photo you now need to go to your camera and…

Read More
April 14, 2012

Lesson 4: Page 07

Here is an example showing Kelvin temperature color relationship: Amber    warmer     warm    Daylight     cool      cooler   blueish     blue 3200K     3800K     4500K   5500K       6200k     6800    7500K     8000K

Read More
April 14, 2012

Lesson 4: Page 06

Using Flash in Mixed Lighting So your boss knows you are a good photographer and wants pictures from in the warehouse of a group of employees. You know you need…

Read More
April 14, 2012

Lesson 4: Page 05

I have always enjoyed the idea of hide-a-flash in places that create light and result in a cool effect.

Read More
April 14, 2012

Lesson 4: Page 04

Stop Action The idea here as previously mentioned, is to stop or freeze the action WITH FLASH and not necessarily the shutter speed and there are two ways to do…

Read More
April 14, 2012

Lesson 4: Page 03

In this image of a mountain biker, I set the camera at -1 EC to darken the background and make the flash stand out better. Then I just panned with…

Read More
April 14, 2012

Lesson 4: Page 02

These two photos below are a perfect example of panning with the subject and flashing to put an edge on the subject. If you look at the blurry background and…

Read More
April 14, 2012

Lesson 4: Page 01

In previous lessons, we have explored the many ways to use flash both on-camera and off. For our last lesson, we’ll look at fun ways to continue to get creative…

Read More
April 13, 2012

Lesson 3: Page 15

REAL JOBS You will notice in my descriptions that none of these jobs were photographed using ETTL and were all on manual flash. I want total control! If you consider…

Read More
April 13, 2012

Lesson 3: Page 14

My strategy is to set the flash to manual output and set it to full power as a start. I take a test shot usually by just ‘guesstimating’, a skill…

Read More
April 13, 2012

Lesson 3: Page 13

BIGGER FLASH UNITS Depending on what you shoot, you may also find you need a much bigger and more powerful flash unit. I am not talking about studio strobes, rather…

Read More
April 13, 2012

Lesson 3: Page 12

USING REMOTE FLASH FOR EFFECT The next step beyond wireless flash is using wireless remotely by placing flash in more distant locations. This is putting light in out-of-the-way places to…

Read More
April 13, 2012

Lesson 3: Page 11

Rear Curtain – cont To enable rear curtain flash to work, you have to make adjustment either on the camera or flash and it depends on the make and model….

Read More
April 13, 2012

Lesson 3: Page 10

 Portraits using Flash There is no difference between shooting portraits with studio strobes versus flash units as far as the approach to lighting. The advantage to flash is the compact…

Read More
April 13, 2012

Lesson 3: Page 07

Radio Remotes Triggers There are numerous methods for triggering flash using wireless radio technology. There are a number of third party systems designed for wireless triggering and originally most were…

Read More
April 13, 2012

Lesson 3: Page 04

Dedicated Wireless Some of today’s state-of-the-art flash units come with wireless flash ability built in. Canon’s 430EXII and 580EXII are three of them while Nikon’s SB 900 and SB700 compliment their line. They have the ability to trigger…

Read More
April 11, 2012

Lesson 3: Page 03

Optical Slaves – cont. Most older, yet state of the art flash units do not come with a PC sync socket on them to plug that slave into with the…

Read More
April 11, 2012

Lesson 3: Page 02

When using the flash off-camera, you need to trigger the flash to fire from your camera. In the previous pictures, I am using a Dedicated Flash Cord that allows me…

Read More
April 10, 2012

Lesson 3: Page 01

Off Camera Flash So far we have covered many different ways you can use your flash on-camera such as bounce and diffused flash and hopefully you have mastered those. Now…

Read More
April 10, 2012

Lesson 2: Page 19

Flash Fill Flash fill is a very useful tool for photographers. Both film and digital cannot record the range of contrast in a photo scene like our eyes can. In…

Read More
April 10, 2012

Lesson 2: Page 18

How to use flash key If you are in Manual shooting mode and flash is set to ETTL, you meter the scene. Next, adjust your shutter speed to a setting…

Read More
April 10, 2012

Lesson 2: Page 16

Here is an example of flash key. The flash is the brightest light on the subject. They would silhouette without the flash.

Read More
April 10, 2012

Lesson 2: Page 15

When to use Manual Flash? The reason to set your flash on manual output is to maintain a consistent output each and every time the flash fires. You are at…

Read More
April 10, 2012

Lesson 2: Page 13

Keep in mind that 1/1 is full power; ½ is ½ power; ¼ is ¼ power, and so on. What is nice about the flash’s manual output ability is that…

Read More
April 10, 2012

Lesson 2: Page 12

While you are shooting in Manual, you have to do these calculations in your head or by testing to make sure your exposures are correct. Wedding photographers usually have their…

Read More
April 10, 2012

Lesson 2: Page 11

Flash on Manual Mode Up to now, we have covered all the options available for using flash in an automated capacity. There are however, many advantages to using flash in…

Read More
April 10, 2012

Lesson 2: Page 10

Another method is the red eye reduction features of your system.  The camera, as you are pressing the shutter release, fires a small flash-type light to get the pupils in…

Read More
April 10, 2012

Lesson 2: Page 09

Exercise: To test your flash and camera system, place the focus point on the subject and take a fully flash image. Take a second exposure by placing the AF point…

Read More
April 09, 2012

Lesson 1: Page 18

Using the flash, step by step Now that we have covered all the details of flash and how it works, here is the step by step approach for simple flash…

Read More