I also wanted to light this somewhat intimately. So I used two grids with warming gels on two lights. One grid is at four o’clock and hitting the face of the fellow on the left, while the other gridded light is at about 10 o’clock hitting the operator in the face and hand. One more light with a blue light gel, is placed to the right of the camera and bounced off the ceiling to create an overall blue cast that is darker than the lighting exposure for the faces, subsequently it shows up as a dark blue or weaker light illuminating most of the scene with blue and where the gridded lights do not hit.The content you are trying to access is only available to members. Sorry.
