November 20, 2011

Lesson 36: Page 14

I constantly discuss with my clients what I think will work and will not work based on what they told me they want. For example, I’m in a manufacturing plant…

Read More
November 20, 2011

Lesson 35: Page 13

You can’t just wait for the phone to ring! Any photography business will not be successful these days if your marketing effort consists of sitting by the phone and waiting…

Read More
November 20, 2011

Lesson 34: Page 13

The following charts provide the base price guidelines and are simple to calculate the base price. From there you consider all other factors.  What you will not see in these…

Read More
November 20, 2011

Lesson 35: Page 12

E-mail marketing The real advantage to e-mail marketing is of course the cost. It’s very cheap and cost effective. These days you can track and observe how many were opened…

Read More
November 20, 2011

Lesson 36: Page 13

Nike was a huge client of mine in the 90’s and I shot about 1.2 million shoes for them (really rough guess), actually I just shot a lot of shoes…

Read More
November 20, 2011

Lesson 34: Page 12

Non-Profits You may at some point find yourself negotiating with a non-profit or asked to provide an image pro-bono. Letting images be used by non-profits and whether or not to…

Read More
November 20, 2011

Lesson 34: Page 11

The client came back with a request for more uses as a tourism related advertisement, running nationally in 4 travel magazines with a combined print run of 2.5 million. The…

Read More
November 20, 2011

Lesson 36: Page 12

So what types of clients can you charge usage for? I would say any client willing to agree to pay it. Now the hard part is determining who will pay…

Read More
November 20, 2011

Lesson 35: Page 10

Self-promotion Throughout my career, I have utilized a variety of different approaches to marketing my photography business. I have done source books, including the Black Book for 3 years, Direct…

Read More
November 20, 2011

Lesson 36: Page 11

I was contacted by a former student of mine whom I will call ‘Bob.’ Bob took a commercial photography course from me last year. He is I believe in high…

Read More
November 20, 2011

Lesson 36: Page 10

Other photographers who are working in the high end of advertising photography are not only successful in getting top pay rates, but they also get usage fees, and the client…

Read More
November 20, 2011

Lesson 34: Page 10

If you flew to Africa, hired a safari guide to take you into the outback, you have greater production value than going to the zoo or game park. Be sure…

Read More
November 20, 2011

Lesson 35: Page 09

Keeping clients tuned into what you are doing and on a regular basis helps eliminate that ‘out of sight, out of mind’ problem that will plague every photographer if they…

Read More
November 20, 2011

Lesson 36: Page 09

One photographer friend of mine has a great strategy for dealing with situations like this. The client provides him a list of how many shots are needed and he looks…

Read More
November 20, 2011

Lesson 34: Page 09

How Unique is the Image? Good selling images often are unique in some way, some more and some less. The usage of a one-of-a-kind image is certainly more valuable than…

Read More
November 20, 2011

Lesson 35: Page 08

Finding The Clients You have no business without clients! And how you find them, market to them, and work with them is crucial to the success of your business. You…

Read More
November 20, 2011

Lesson 34: Page 08

Whatever price you establish should be based on your image qualities, the market for that usage, and then input from the client about their budget. Hopefully there is an acceptable…

Read More
November 20, 2011

Lesson 36: Page 08

More on Calculating your fee This is without a doubt the toughest part of your job in trying to earn business. Some photographers charge very little like one half or…

Read More
November 20, 2011

Lesson 35: Page 07

Pros and Cons The good side of either type of relationship is that you get business and hopefully plenty of it. You want to be the first photographer they call….

Read More
November 20, 2011

Lesson 34: Page 06

How is the image going be used? How the image is going to be used is the first important consideration. Will it be used in an advertisement, an editorial spread,…

Read More
November 20, 2011

Lesson 34: Page 07

Advertising is designed to continuously generate income for the client as long as the ad is running. Ads are higher profile and have more views, like web page views, so…

Read More
November 20, 2011

Lesson 36: Page 07

 What does the set look like? Do you need background materials such as canvas, paper, or are you building a fake set to simulate a location. For example, one time…

Read More
November 20, 2011

Lesson 36: Page 06

Client Layout: does the client have a layout to show you what they envision for the photo? If you’re shooting for advertising, design projects, annual reports, or any other print…

Read More
November 20, 2011

Lesson 35: Page 06

Managing your ego A good ego is crucial when it comes time to present you and your work, estimate a project, or negotiate a sale. It provides you the confidence…

Read More
November 20, 2011

Lesson 34: Page 05

This happens when a buyer wants your photo, for whatever reason, and may be willing to pay more to get it. Evaluate your work and compare it with similar work…

Read More
November 20, 2011

Lesson 36: Page 05

If I’m working for a new client then everything is in writing right from the beginning. I can tell you of one bad experience I had years ago. A graphic…

Read More
November 20, 2011

Lesson 35: Page 05

Are you the worlds greatest photographer? Really, raise your hand if you are the best photographer in the world. Did you raise your arm high or merely twitch your pinkie…

Read More
November 20, 2011

Lesson 35: Page 04

A Few Tips on Clients Accessibility. Clients want to be able to locate you and receive prompt replies. I can admit that I have lost sales and assignments because I…

Read More
November 20, 2011

Lesson 34: Page 04

Here is the same photo in two uses, one for a non- profit private school and the other for a shopping center. The private school piece is a brochure, limited…

Read More
November 20, 2011

Lesson 36: Page 04

We all would like to get usage fees, but the reality is that is quite difficult on a local level. I chat with other photographer/friends about this and the general…

Read More
November 20, 2011

Lesson 34: Page 03

If you were with a large agency back then, you could use a rough estimate of earning $1 per month for each image in an agency file.  Now it is…

Read More
November 20, 2011

Lesson 35: Page 03

Understanding Clients: First, look at your own experiences How many times have you dined in a restaurant and felt your grumpy waiter was lousy? Have you ever greeted a gas…

Read More
November 20, 2011

Lesson 36: Page 03

Then you can do another assignment in the afternoon for another client at the half day rate. Here again, you have to be careful. If they want a simple head…

Read More
November 20, 2011

Lesson 36: Page 02

What to Charge, that is a tough question When I receive a call from clients regarding a shoot, they usually fall into two categories: clients I have worked with and…

Read More
November 20, 2011

Lesson 34: Page 02

SELLING YOUR STOCK PHOTOGRAPHY Your phone has just rung from a prospective client who wants to buy one of your images for a specific use. If you are new to…

Read More
November 20, 2011

Lesson 35: Page 02

As you prepare to enter the world of commercial photography, you will begin by developing a list of clients.  You will target this list based on what you feel are…

Read More
November 19, 2011

Lesson 14: Page 22

No matter what you wish to shoot in stock, do your research to see what is being photographed and marketed. Understand that people and business far outsells nature and wildlife….

Read More
November 19, 2011

Lesson 14: Page 21

I snowshoed out into the winter woods with a box of red bulbs and my cameras.  I decorated the tree and then shot.  It was a hazy overcast so there…

Read More
November 19, 2011

Lesson 14: Page 20

Keep in mind environmental disasters are good sources for salable nature photography.  A noted nature photographer here in Oregon was packed and ready to jump in an airplane as people…

Read More
November 19, 2011

Lesson 14: Page 19

GETTING STARTED Now if you are feeling that I have made it all sound hopeless, it is not.  I am being realistic! As the old saying goes, ‘where there is…

Read More
November 19, 2011

Lesson 14: Page 18

Here are some of the categories for landscape and nature subjects:  Wildlife. This is the smallest market category in this subject area.  There are plenty of fabulous wildlife photographers already…

Read More
November 19, 2011

Lesson 14: Page 17

LANDSCAPE AND NATURE Nature and the landscape photography is a wonderful subject that I personally find to be the most satisfying and personally rewarding of all my photographic pursuits. Fresh…

Read More
November 19, 2011

Lesson 14: Page 16

This birthday party photo is now outdated but is a great example because it has been very successful due to the diversity of people.  It is a good mix of…

Read More
November 19, 2011

Lesson 14: Page 15

YOUR INDOOR AND OUTDOOR STUDIO We have discussed several techniques for outdoor people photography.  To create salable images in your outdoor studio you will need to evaluate several factors.  The…

Read More
November 19, 2011

Lesson 14: Page 14

When photographing people in general, you need to show a sense of happiness, contentment, satisfaction, and pride that comes with a happy life, unless you are illustrating a different concept…

Read More
November 19, 2011

Lesson 14: Page 13

Here is an example shot list I would prepare prior to shooting a senior woman gardening and tending her roses.  (Watch for background distractions) A semi wide, vertical shot, from…

Read More
November 20, 2011

Lesson 36: Page 14

I constantly discuss with my clients what I think will work and will not work based on what they told me they want. For example, I’m in a manufacturing plant…

Read More
November 20, 2011

Lesson 35: Page 13

You can’t just wait for the phone to ring! Any photography business will not be successful these days if your marketing effort consists of sitting by the phone and waiting…

Read More
November 20, 2011

Lesson 34: Page 13

The following charts provide the base price guidelines and are simple to calculate the base price. From there you consider all other factors.  What you will not see in these…

Read More
November 20, 2011

Lesson 35: Page 12

E-mail marketing The real advantage to e-mail marketing is of course the cost. It’s very cheap and cost effective. These days you can track and observe how many were opened…

Read More
November 20, 2011

Lesson 36: Page 13

Nike was a huge client of mine in the 90’s and I shot about 1.2 million shoes for them (really rough guess), actually I just shot a lot of shoes…

Read More
November 20, 2011

Lesson 34: Page 12

Non-Profits You may at some point find yourself negotiating with a non-profit or asked to provide an image pro-bono. Letting images be used by non-profits and whether or not to…

Read More
November 20, 2011

Lesson 34: Page 11

The client came back with a request for more uses as a tourism related advertisement, running nationally in 4 travel magazines with a combined print run of 2.5 million. The…

Read More
November 20, 2011

Lesson 36: Page 12

So what types of clients can you charge usage for? I would say any client willing to agree to pay it. Now the hard part is determining who will pay…

Read More
November 20, 2011

Lesson 35: Page 10

Self-promotion Throughout my career, I have utilized a variety of different approaches to marketing my photography business. I have done source books, including the Black Book for 3 years, Direct…

Read More
November 20, 2011

Lesson 36: Page 11

I was contacted by a former student of mine whom I will call ‘Bob.’ Bob took a commercial photography course from me last year. He is I believe in high…

Read More
November 20, 2011

Lesson 36: Page 10

Other photographers who are working in the high end of advertising photography are not only successful in getting top pay rates, but they also get usage fees, and the client…

Read More
November 20, 2011

Lesson 34: Page 10

If you flew to Africa, hired a safari guide to take you into the outback, you have greater production value than going to the zoo or game park. Be sure…

Read More
November 20, 2011

Lesson 35: Page 09

Keeping clients tuned into what you are doing and on a regular basis helps eliminate that ‘out of sight, out of mind’ problem that will plague every photographer if they…

Read More
November 20, 2011

Lesson 36: Page 09

One photographer friend of mine has a great strategy for dealing with situations like this. The client provides him a list of how many shots are needed and he looks…

Read More
November 20, 2011

Lesson 34: Page 09

How Unique is the Image? Good selling images often are unique in some way, some more and some less. The usage of a one-of-a-kind image is certainly more valuable than…

Read More
November 20, 2011

Lesson 35: Page 08

Finding The Clients You have no business without clients! And how you find them, market to them, and work with them is crucial to the success of your business. You…

Read More
November 20, 2011

Lesson 34: Page 08

Whatever price you establish should be based on your image qualities, the market for that usage, and then input from the client about their budget. Hopefully there is an acceptable…

Read More
November 20, 2011

Lesson 36: Page 08

More on Calculating your fee This is without a doubt the toughest part of your job in trying to earn business. Some photographers charge very little like one half or…

Read More
November 20, 2011

Lesson 35: Page 07

Pros and Cons The good side of either type of relationship is that you get business and hopefully plenty of it. You want to be the first photographer they call….

Read More
November 20, 2011

Lesson 34: Page 06

How is the image going be used? How the image is going to be used is the first important consideration. Will it be used in an advertisement, an editorial spread,…

Read More
November 20, 2011

Lesson 34: Page 07

Advertising is designed to continuously generate income for the client as long as the ad is running. Ads are higher profile and have more views, like web page views, so…

Read More
November 20, 2011

Lesson 36: Page 07

 What does the set look like? Do you need background materials such as canvas, paper, or are you building a fake set to simulate a location. For example, one time…

Read More
November 20, 2011

Lesson 36: Page 06

Client Layout: does the client have a layout to show you what they envision for the photo? If you’re shooting for advertising, design projects, annual reports, or any other print…

Read More
November 20, 2011

Lesson 35: Page 06

Managing your ego A good ego is crucial when it comes time to present you and your work, estimate a project, or negotiate a sale. It provides you the confidence…

Read More
November 20, 2011

Lesson 34: Page 05

This happens when a buyer wants your photo, for whatever reason, and may be willing to pay more to get it. Evaluate your work and compare it with similar work…

Read More
November 20, 2011

Lesson 36: Page 05

If I’m working for a new client then everything is in writing right from the beginning. I can tell you of one bad experience I had years ago. A graphic…

Read More
November 20, 2011

Lesson 35: Page 05

Are you the worlds greatest photographer? Really, raise your hand if you are the best photographer in the world. Did you raise your arm high or merely twitch your pinkie…

Read More
November 20, 2011

Lesson 35: Page 04

A Few Tips on Clients Accessibility. Clients want to be able to locate you and receive prompt replies. I can admit that I have lost sales and assignments because I…

Read More
November 20, 2011

Lesson 34: Page 04

Here is the same photo in two uses, one for a non- profit private school and the other for a shopping center. The private school piece is a brochure, limited…

Read More
November 20, 2011

Lesson 36: Page 04

We all would like to get usage fees, but the reality is that is quite difficult on a local level. I chat with other photographer/friends about this and the general…

Read More
November 20, 2011

Lesson 34: Page 03

If you were with a large agency back then, you could use a rough estimate of earning $1 per month for each image in an agency file.  Now it is…

Read More
November 20, 2011

Lesson 35: Page 03

Understanding Clients: First, look at your own experiences How many times have you dined in a restaurant and felt your grumpy waiter was lousy? Have you ever greeted a gas…

Read More
November 20, 2011

Lesson 36: Page 03

Then you can do another assignment in the afternoon for another client at the half day rate. Here again, you have to be careful. If they want a simple head…

Read More
November 20, 2011

Lesson 36: Page 02

What to Charge, that is a tough question When I receive a call from clients regarding a shoot, they usually fall into two categories: clients I have worked with and…

Read More
November 20, 2011

Lesson 34: Page 02

SELLING YOUR STOCK PHOTOGRAPHY Your phone has just rung from a prospective client who wants to buy one of your images for a specific use. If you are new to…

Read More
November 20, 2011

Lesson 35: Page 02

As you prepare to enter the world of commercial photography, you will begin by developing a list of clients.  You will target this list based on what you feel are…

Read More
November 19, 2011

Lesson 14: Page 22

No matter what you wish to shoot in stock, do your research to see what is being photographed and marketed. Understand that people and business far outsells nature and wildlife….

Read More
November 19, 2011

Lesson 14: Page 21

I snowshoed out into the winter woods with a box of red bulbs and my cameras.  I decorated the tree and then shot.  It was a hazy overcast so there…

Read More
November 19, 2011

Lesson 14: Page 20

Keep in mind environmental disasters are good sources for salable nature photography.  A noted nature photographer here in Oregon was packed and ready to jump in an airplane as people…

Read More
November 19, 2011

Lesson 14: Page 19

GETTING STARTED Now if you are feeling that I have made it all sound hopeless, it is not.  I am being realistic! As the old saying goes, ‘where there is…

Read More
November 19, 2011

Lesson 14: Page 18

Here are some of the categories for landscape and nature subjects:  Wildlife. This is the smallest market category in this subject area.  There are plenty of fabulous wildlife photographers already…

Read More
November 19, 2011

Lesson 14: Page 17

LANDSCAPE AND NATURE Nature and the landscape photography is a wonderful subject that I personally find to be the most satisfying and personally rewarding of all my photographic pursuits. Fresh…

Read More
November 19, 2011

Lesson 14: Page 16

This birthday party photo is now outdated but is a great example because it has been very successful due to the diversity of people.  It is a good mix of…

Read More
November 19, 2011

Lesson 14: Page 15

YOUR INDOOR AND OUTDOOR STUDIO We have discussed several techniques for outdoor people photography.  To create salable images in your outdoor studio you will need to evaluate several factors.  The…

Read More
November 19, 2011

Lesson 14: Page 14

When photographing people in general, you need to show a sense of happiness, contentment, satisfaction, and pride that comes with a happy life, unless you are illustrating a different concept…

Read More
November 19, 2011

Lesson 14: Page 13

Here is an example shot list I would prepare prior to shooting a senior woman gardening and tending her roses.  (Watch for background distractions) A semi wide, vertical shot, from…

Read More