Lesson 17: Page 02
This lesson takes us back into the field where we will look at various technical considerations when photographing people on location. By now you have a clear understanding of how…
Lesson 17: Page 03
For lighting, we waited for the sun to be setting and skim warm light across the landscape. To keep the shadow side of the truck and cowboy from going dark,…
Lesson 17: Page 04
I then set up two more lights with silver reflectors on camera left, pointed left to right. These lights were placed to skim across the carved walls and gave a…
Lesson 17: Page 05
I needed a perfect exposure of the outside and inside, but it never works that way due to the difference in ambient light inside and out. After setting up the…
Lesson 17: Page 06
the camera and angle. The client requested that they be photographed in the lobby and that we see in the scene, the portrait on the back wall, which was the…
Lesson 17: Page 07
The Hallway The next challenge we had was to bring up the balance of light in the hallway to reduce the contrast created with the ceiling spots. Test shots showed…
Lesson 17: Page 08
Nobody said this job was easy! And here is a great example why. This is the board of directors of a multi billion dollar company, in town for their board…
Lesson 17: Page 09
Assignment: Corporate CEO for Magazine What’s the challenge? Coming up with an exciting photo in a climate controlled computer room. This photograph of a corporate CEO was taken on assignment…
Lesson 17: Page 10
Assignment: Corporate executive and community volunteer What’s the challenge? Finding somewhere in this town that would be an interesting environment to photograph her. This woman is a community volunteer who…
Lesson 17: Page 11
Assignment: Company owners for a bank ad. What’s the challenge? Mixing strobe and ambient light.
Lesson 17: Page 12
Assignment: CEO for a magazine story What’s the challenge? Creating a nice shot in an ugly environment. I made an appointment with the CEO’s secretary for our photo shoot and…
Lesson 17: Page 13
Assignment: Director of computer records center for a state to be shot for a magazine. What’s the challenge? Another boring computer room…….
Lesson 17: Page 14
Assignment: Corporate brochure image of two guys in the CAD area. What’s the challenge? The one person office makes for no room to place lights.
Lesson 17: Page 15
Assignment: Shoot CEO of new start-up company for magazine. What’s the challenge? Find a cool shot and here it was one of the toughest.
Lesson 17: Page 16
Important Technique: take note! One of the most useful tools for location work and occasionally in the studio is the reflector panels. You can get them at B&H.
Lesson 17: Page 17
blow out due to her being in the sun and him not. As we were shooting, the sun came higher up and we reached a point where it was starting…
Lesson 17: Page 18
plywood on top as these metal castings were heavy. They were then covered with blue cloth, purchased from the fabric store. The parts were then hoisted on the surfaces and…
Lesson 17: Page 19
The lighting approach was to blast enough light in there to bring the brightness level up and also spot light certain areas to make them stand out.
Lesson 17: Page 20
In this production still on the right you can see my lighting. A light box for the key light and an umbrella for fill and each is gelled to match…
Lesson 17: Page 02
This lesson takes us back into the field where we will look at various technical considerations when photographing people on location. By now you have a clear understanding of how…
Lesson 17: Page 03
For lighting, we waited for the sun to be setting and skim warm light across the landscape. To keep the shadow side of the truck and cowboy from going dark,…
Lesson 17: Page 04
I then set up two more lights with silver reflectors on camera left, pointed left to right. These lights were placed to skim across the carved walls and gave a…
Lesson 17: Page 05
I needed a perfect exposure of the outside and inside, but it never works that way due to the difference in ambient light inside and out. After setting up the…
Lesson 17: Page 06
the camera and angle. The client requested that they be photographed in the lobby and that we see in the scene, the portrait on the back wall, which was the…
Lesson 17: Page 07
The Hallway The next challenge we had was to bring up the balance of light in the hallway to reduce the contrast created with the ceiling spots. Test shots showed…
Lesson 17: Page 08
Nobody said this job was easy! And here is a great example why. This is the board of directors of a multi billion dollar company, in town for their board…
Lesson 17: Page 09
Assignment: Corporate CEO for Magazine What’s the challenge? Coming up with an exciting photo in a climate controlled computer room. This photograph of a corporate CEO was taken on assignment…
Lesson 17: Page 10
Assignment: Corporate executive and community volunteer What’s the challenge? Finding somewhere in this town that would be an interesting environment to photograph her. This woman is a community volunteer who…
Lesson 17: Page 11
Assignment: Company owners for a bank ad. What’s the challenge? Mixing strobe and ambient light.
Lesson 17: Page 12
Assignment: CEO for a magazine story What’s the challenge? Creating a nice shot in an ugly environment. I made an appointment with the CEO’s secretary for our photo shoot and…
Lesson 17: Page 13
Assignment: Director of computer records center for a state to be shot for a magazine. What’s the challenge? Another boring computer room…….
Lesson 17: Page 14
Assignment: Corporate brochure image of two guys in the CAD area. What’s the challenge? The one person office makes for no room to place lights.
Lesson 17: Page 15
Assignment: Shoot CEO of new start-up company for magazine. What’s the challenge? Find a cool shot and here it was one of the toughest.
Lesson 17: Page 16
Important Technique: take note! One of the most useful tools for location work and occasionally in the studio is the reflector panels. You can get them at B&H.
Lesson 17: Page 17
blow out due to her being in the sun and him not. As we were shooting, the sun came higher up and we reached a point where it was starting…
Lesson 17: Page 18
plywood on top as these metal castings were heavy. They were then covered with blue cloth, purchased from the fabric store. The parts were then hoisted on the surfaces and…
Lesson 17: Page 19
The lighting approach was to blast enough light in there to bring the brightness level up and also spot light certain areas to make them stand out.
Lesson 17: Page 20
In this production still on the right you can see my lighting. A light box for the key light and an umbrella for fill and each is gelled to match…